decadentdream: (Disappoint)
Okay so THIS is why I should write my reviews straight away cause the memory tends to fade. But with the utmost pain in my arms atm I will persevere no less with James playing in the background to help remind me of things.

Thursday. One of the most hectic afternoon/nights of my life. I expected it no less. I spent the entire day at work looking for train connections in LA. After that, I went with Helen to the travel agent to pay off my flights and insurance. Following that little adventure, I then had to go down to my brother's work where he was having drinks with his workmates because 2 of them were leaving, and we were having dinner with them also. So within 2 hours we had to get down to Darling Harbour for dinner, order & eat dinner, get across to the other side of Sydney by bus (a half hour trip) and make the James Blunt concert at the Hordern Pavillion by 8pm. Of course that didn't happen. We got to the restaurant just after 6pm. I instantly ordered the quickest thing on the menu. My brother and 90% of the table dallied about it. It then ended up being that we didn't get to order properly until around 6:45pm. I had to replace my order. We didn't actually get our food until 7:20pm. There was no way we were going to be able to eat, rush off and get a bus from 5 streets away in 10 minutes. So we decided that we'd get a cab. Now because my brother had been drinking so much he was a little nutty and I kept having visions of Dean slapping Sam over the back of the head on Supernatural and wanting to re-enact that (me being the older sibling). I also kept telling everyone I expected to be carrying him to the concert the way he was going.

Anyway, we ended up handing a whole bunch of notes to Paul and racing out of there just after 7:30pm. We then took the walk up to where we were supposed to catch the bus from and tried to flag down a taxi on the way. It was only when we were a block away from the buses were we able to get one to pull over, and it was only because he happened to be dropping people off on that corner. We jumped in, requested Fox Studios, and $10 later we were where we needed to be (me telling him to pull over because I didn't want him driving all the way around the block and inside when we knew where to walk it from). They thankfully didn't bag check me cause I really didn't want to stop, we were about 10 minutes late. We got inside and there was a band playing support who sounded a little like Azure Ray but not as good. My slightly intoxicated brother got more sleepy and said the band was going to knock him out with their boring music. Admittedly at one point it sounded like they were playing a song without having even rehearsed it. So we spent the entire support act talking over the band (something I usually never do) and texting our friends whilst sitting near the engineers section. We ended up moving up when they finished so we could watch James.

We had to wait until just after 9:15pm for him to make an appearance. He raced on stage playing a number I did not know, which I thought was rather brave of him. I have to applaud the lighting guys because they did a fantastic job. They only had what appeared to be something like a christmas light decoration background, but it was lit up so amazingly, and the amber coloured lights were just beautiful reflecting back onto the crowd during "High". It felt like we were all under some brilliant beautiful sunset. And the crowd during that song - James let us sing and it was so angelic, like some choral choir from the heavens. I have never heard a crowd sing so beautifully and in key since that very first Savage Garden show I went to. Now the biggest shock of the night to me was the fact that everybody in the crowd seemed to know and love "Billy" and sing and dance along to it. It's one of my least favourite tracks on the album, but I was completely surprised to see how popular it was - as if he HAD released it as a single. I thought it was going to be that way all night, but as soon as James started "Cry" it actually was a lot more silent and I have to admit I was baffled to find that what I liked was so completly left of centre of what everyone else was into.

James kept up a stagnant small peaking progression with the tracks throughout the set, changing up between well known and not-so-known, faster/boppier ones and the slower numbers, piano and guitar tracks. Although I probably would have had my qualms looking at the setlist, it actually worked more in his favour to keep the crowd alive for the entire set so they wouldn't go from one extreme to the other, they just hovered in-between. His first seating at the keyboard (our piano for this tour) he told us that we'd have to be quiet because he was going to play a quiet song. I instantly thought of "Goodbye My Lover" and how Zarina told me that in Canada the crowd had been completely silent. Well apparently Aussies don't know how to shutup. It was indeed that song, and the Aussies indeed wanted to sing along. Thankfully he was hearable over us. Of all things I expected to cry to this song - when he was here for the promo tour he just went on Sunrise and did that number and "You're Beautiful" and they sounded so heavenly that I thought it would resonate as well here but apparently all those extra ppl strip away that raw emotion. He did say, however, when he was here last time he played to only a few hundred ppl and it was nice to see a few more show up. I just had to make the point then that he didn't tell ANYONE he was coming, and he didn't actually do any concerts or anything then so of course nobody was around last November ;) I found myself getting teary, but I didn't cry. I was amazed considering I cry 80% of the time I listen to the track. So it is definately true now that Rob Thomas is the only artist who can make me cry at their concert from the sheer beauty of the music and the raw emotion in their voice.

Preceeding "Tears and Rain" he told us he was going to sing a song that only the girls could sing along to with him because it was so high. He said it was not something to be proud of that he could sing it cause it just meant he was a little girl. He did however invite the boys to feel up the girls next to them in the meantime because it didn't matter if they were friends, it was completely dark and no-one would notice. Other James wisecracks involved his revelation to us that the drummer insisted Sydney was the best looking crowd they'd ever played to. He also invited us to cheer on the keyboard player and he would do a silly dance for us, but warned us not to copy unless we were completely stupid and wanted to hurt ourselves. For one of the new tracks he revealed that he had been having trouble of late remembering the words to it, and that he would get us to sing along but because it was new we didn't know the words so we were "fuck-all help". I am pleased to say, though, that he did not manage to stuff up noticably at all that night. There may have been a line or two in various songs, but at those times I wasn't sure if it was him or me.

He also said "I know you've all come here tonight to have a good time... so I'm going to play you a miserable song" to which he launched into "No Bravery" whilst playing a video on the screen in the background which, I believe and hope I get this correct from what other ppl have been saying, was taken during his time in Kosovo. They also had the dancing monkey logo shimmying its way up the screen for "Out of my Mind" which I kept trying to position the image on his shoulder for when he was singing "monkey on my shoulder". Then once we reached the 2 song encore with "You're Beautiful" we had this flowing imagery on the back of these girls swimming around underwater in colourful flowy dresses. I kept thinking they were mermaids and the thought "oh that's what happened after he jumped off the cliff into the water" kept sticking in my head.

One of the new songs I really loved but *shrug* I can't actually name them anymore or anything. It was a good concert, I survived the entirity without too many probs (well apart from my jacket smelling like alcohol from the amount of times things were spilt on it), and I will say he is good live but he didn't blow me away quite as well as I wanted him to. He was great, the crowd was wonderful, and the lighting awesome, but it's not something I would be wanting to see a billion times.
decadentdream: (Old feelings die hard)
So I've just got back and sticking with the theme of overly updating the journal today (well, technically yesterday) I've decided to do this tiny little thing that won't be as massive as BSB cause my eyes are glazed and I'm not particularly mental atm *snicker*

To explain: I was not at all reluctant in going to see this man. I've seen him twice before with Matchbox 20 and never once has he let me down. He's an excellent showman, and he again proved that tonight. Rob Thomas is the ONLY person to ever make me cry in a concert, a time where I'm usually at the happiest, and seems to be the one person willing to cater to my 80s music obsession.

Opening with Something To Be, Rob instantly reminded me of why I love to watch him in concert. He has a certain presence as soon as he walks out on stage, one that makes you instantly bond with him and enjoy what he's singing as much as he is. Lively, animated, and downright funny, this man is certainly one to treasure. Every word that leaves his mouth you believe. You can feel the adoration and friendship stretch between him and the crowd, and he makes you more than comfortable to be there "celebrating life" as he put it.

It was when he launched into a rocked up rendition of "If You're Gone" that the crowd first went wild. It was strange to me that out of the many MANY old songs he played (nicely broken up between new songs, and he even threw one pre-Matchbox 20 song in he wrote *cough* 15 years ago *cough* which Russ & I knew was "Dear Joan" from Tabitha's Secret), that this be the one I instantly recognised. Partly because I love the clip, partly because I love the song, partly because I wrongly made it a song to listen to repeatedly when things went sour between me and one of my exes... and following that endeavour went to see the band in concert with him and a few friends and ended up balling my eyes out during it. So evil is this man though, you feel what he's singing, know he means it, and "3am" and "When The Heartache Ends" also had me biting my lip this time around trying to keep from spilling tears. Mind you he also gave a berating about being unhappy cause that's meant to be cool, and to look at the happy moments and realise they're happening and go "fuck, this is a happy moment!" (Jen & Russ also served to tease me at this point cause I was telling him to shutup and stop talking to me, even though I do do that) but he does believe the bad moments remind you of the happy ones. I can't say it works that way in my case.

There was a few covers and mini-covers thrown in (the latter between finishing a song - "You Can Call Me Al" & "Maria Maria" during his encore presentation of "Smooth" to complete the Santana-fest) He opened the encore with "Wonderwall" but it was his rendition of David Bowie's 80s hit "Let's Dance" that had me jumping around like nothing else. Yes I'm an 80s music freak. I practically screamed last concert when he did Simple Minds "Don't You Forget About Me" from the Breakfast Club... and have been obsessed with that song ever since. I proclaimed during the Bowie number that I loved Rob because Rob loved 80s music and loved covering it for us (or catering to me if I can be so selfish).

He loves Sydney. He didn't have to tell us like the many many times he did, he shows us by coming back so frequently. It makes us love him all the more, that someone actually thinks about us guys down here and doesn't go "screw that, it's too far away" like most other artists. I've ranted many times before that they all seem so scared to cross the equator like they're going to blow up or something, but people who come here can tell you how beautiful and wonderful our country is and that THEY managed to survive.

So really there was many terrific points to the concert, and Rob Thomas is such a showman with or without the rest of the Matchbox 20 band - he never fails to impress. He catered to my request of "Push", and we even had an onstage proposal at the onset of the encore. Mind you the "this is my girlfriend, I want you to be my wife" shortness of it all left me feeling slightly sorry for the girl. You know what I think? Screw the trying to make it special using outward circumstances. Yeah, sure it's nice and will make things very memorable, but am I a complete hopeless romantic if I say I want a decent proposal if someone was going to ask me that? I want them to TELL ME what I mean to them. I want them to GIVE me a reason to marry them. And seriously give it a while before you ask. My brother's friend asked a girl he'd been seeing for less than 3 weeks to marry him, and she said yes. How can you base a whole relationship on 3 weeks? How can you expect that to last, to know that they're the one that's meant for you? Okay so maybe I sound like I have commitment problems or am overly demanding... truth is I'm not. But it's so annoying... I just keep expecting everything to be right, to know, to let destiny and fate have their way. I base way too much on hope.

And my review's turned into a rant. Damn. Ok well there wasn't actually much else to say about the concert. Support band The Hamptons were pretty good, I bought their CD which 2 of them signed during the in-between break. Meh that's all.

January 2012

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